In the light of history, it has rightfully brought him infamy. The movie is an unusual one; they are acting in it, under their own names, and they are being followed and filmed as they go about their daily lives. The director has filmed his real-life romantic reunion with the actress at a train station; he and his crew have joined her at her family home in the French countryside, where he works out an elaborate plan for getting her to reminisce on-camera, to recall and seemingly relive her childhood onscreen. Paul lurks there mysteriously, even menacingly; he flirts with her, lifts her with a hand between her legs, kisses her; she returns the kiss and the embrace as he tears off her panties; they have intercourse, initiating a sexual relationship that they continue in this apartment and there alone. His idea is that two anonymous people will meet in the apartment for sex, will explore their bodies in isolation from their social identities, and keep that relationship separate and sealed-off from the other parts of their lives. The details of the relationship, which Bertolucci imagines only thinly, involve playful domesticities—the proper placement of an armchair, the making of animal sounds, his whirling her about in the air like a child.
Revisiting Bernardo Bertolucci’s Artistic Ambitions, and Abuses, in “Last Tango in Paris”
"Butter Scene" | 'Last Tango in Paris" - Videos - Metatube
The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different venues. After revisions were made to the MPAA ratings code in , the film was reclassified NC for "some explicit sexual content". Metro-Goldwyn-Mayer released a censored R-rated cut in Paul Brando , a middle-aged American hotel owner mourning the suicide of his wife Rosa, meets a young, engaged Parisian woman named Jeanne Maria Schneider at an apartment that both are interested in renting. Paul takes the apartment after they begin an anonymous sexual relationship there.
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